I meant to write a post on Sunday, but didn't get around to it. This whole week's been plagued by fatigue, the result of studying for a difficult Biology test and an attenuated version of the flu.
I also spent some time creating a 7" album cover design for HAIM's song "Better Off." Though I consider myself a writer, I love visual art and music, so submitted a design. Additionally, I liked the cause: to support Art Against Knives, a youth-led initiative against violence, via Secret 7". You can view my submission here.
In other news: last night, I had a major revelation as to the format of one of my current projects (the Ines story, set in Brazil.) As you'll remember from this post, I've been struggling to write the story for knowledge/research reasons. However, I think my new format, inspired by Sandra Cisernos' "The House on Mango Street" (one of my favorite books, a collection of poetic vignettes) better fits the story's character and is more readable.
Between the two projects - "Better Off" and Ines' story - I've noticed a pattern. In both cases, I struggled for weeks to create a work .I spent hours researching and creating drafts, but for each, I was eventually inspired by works I already loved and admired. (In the visual art case, I was inspired by the cover of Gregory Alan Isakov's album "This Empty Northern Hemisphere.")
So what have my experiences taught me? That a new artist of any sort - whether her medium of choice be written, visual, audiovisual, you name it - must enthusiastically study her craft and seek inspiration in the work of artists older and wiser than herself.
Think "kung fu flick" - pretend you're the young hero of a martial arts movie, trying to become great through a master's tutelage:
Or maybe not.
